“Being Frank,” traveled the film festival circuit for quite some time before getting its final edits and now a release across the country. The film stars Jim Gaffigan, a favorite stand up comic whose acting career is bursting at the seems right now, as Frank, a man who attempts to balance life with two families; each unknown to the other. Of course, all “good” things must come to an end and Frank finds himself in a pickle with his son Phillip (Logan Miller). It’s a dark comedy that keeps the laughs coming thanks to the creative writing and directing as well as the casts’ impeccable ability to play off of one another yet still maintain a level of drama.
In an interview recently, Director Miranda Bailey discussed the changes made to the original concept, how she balances life, her female review site Cherry Picks, and quite shockingly, the fact that she had never heard of Jim Gaffigan before casting her film! Shocking, simply shocking.
Pamela Powell (PP): I understand you had a few changes to the overall script, making it a more personal one.
Miranda Bailey (MB): When I first received the script…it was in modern times. The one (wife) that Frank really loved was the stay-at-home mom who cooked all the time and was perfect and the other [wife] was working…We’re not going to have the one he really loves as this kind, sweet mom and the working mom is this one that no one wants around. Those elements changed drastically, the roles of the women. [The film was also] moved to 1992 which was a time in my life that was when my parents got divorced…I felt the fear that Phillip (Miller) goes through. ***SPOILER*** I was able to … say everything that I wanted to say to my dad or to myself as a child through the character. When Anna Gunn [the character of Laura] is saying .. well, he’ll always be your dad even though he’s a total dick … I wish someone would have said that to me.
PP: Initially, I thought it was an odd casting choice to have Gaffigan, but now I can’t imagine anyone else being able to pull off this role!
MB: I actually didn’t even know him when we started casting, I didn’t even know Jim Gaffigan!
MB: When the script was ready to go, and you want Jason Bateman, but it can’t be Jason Bateman, 1. Because we can’t afford him; 2. He’s not available, and 3. Then it’s a Jason Bateman movie. It’s quite hard, especially in that age range to try to find someone who can be likable and lovable and still doing something so cruel but with cowardice…Initially, we were thinking Louis CK …and I’m so lucky the agents never gave it to him!
PP: Can you imagine?
MB: ****SPOILER***** Oh, my God! That would be awful! We made this movie before…any of the Weinstein stuff came out. Movies take a long time to go from concept to [finish] so it’s been pretty interesting in editing based on those things. [In] the version at the festivals, “You Can’t Choose Your Family,” Frank was forgiven by his son and I changed that in the end because the world has changed in that year.
PP: Gaffigan’s comedy has a very dark edge to it in this film. As a director, how did you draw that out of him?
MB: He definitely does have the dark comedic elements to him. That’s not necessarily part of his standup, but, you know, tragedy is funny! I think he understands that.
PP: Frank’s relationship with Laura is based on a lie. Can you talk about the lies and all the relationships?
MB: A lot of this movie focuses on lies. Everyone in this film, not just Frank, is lying to someone else or lying to themselves. Whether it’s Phillip lying about where he’s going, that he’s not drinking, he’s studying and his best friend’s lying about being gay, and Anna Gunn’s character is lying about being in a happy marriage. Not lying, but she’s refusing, she knows, she’s reading that book, she knows that something’s going on, she knows she’s not in love, she’s staying the course, she’s lying to herself that it’ll be ok. Samantha [her character of Bonnie] is being lied to but she is oblivious and doesn’t know but that’s like part of why she keeps painting the same thing, her home in her own back yard, nothing changes. Something’s going on and she’s trying to find it. She doesn’t know what it is, it’s like this weird artful metaphor, but she doesn’t realize it’s her and her husband.
PP: I hadn’t thought about that being her subconscious talking to her! Let’s chat about your own balancing act in life as director, producer, wife, and mother.
MB: I have a stay-at-home husband and my mother [and in-laws] and brother living here. When I was filming “Being Frank,” I had a really solid support system. … I don’t think I could do it without a supportive partner who was like, ‘Hey, I really want my job to be the house person,’ which is like the hardest job there is. That said, when I come home from work, he’s like, here you go! Your turn!
PP: It’s a tough balancing act!
MB: There’s a lot of pressure on us from society… when I was producing…all the traveling…all the guys and women were single and I was married and I was like the “bad mom” ha ha ha. They’d joke about it, [saying], “You’re never around. You’re always in Toronto drinking beer with us ha ha ha.” I’m not a bad mom, I’m a very good mom, but you don’t say anything. I think we feel guiltiest. Like my dad never had to go to parent teacher conferences and never got the pressure to do that. … And I hate dealing with teachers and principals and report cards, so it’s good because I just make him [my husband] do all that. (Laughs)
PP: I bet he’s good at it!
MB: He is because he’s nice. There’s got to be someone as the tough one. I’m tough in my regular life which is not home so when I come home and they say, can I have ice cream for dinner, I’m like, yep! Sure!
PP: You’ve got so many irons in the fire all the time and Cherry Picks review site for women is one of them and has been live now for 8 months. How’s that going?
MB: We now have this fantastic design that’s operating and at the end of the month we’ll have this critics [area] where critics will be able to upload their own stuff … and we have our own articles … we’re still learning and growing. It takes a long time to build. It’s like remodeling a kitchen. It takes 10 times longer than you expect. Rotten Tomatoes is great, but it’s for a specific audience and Cherry Picks is also for a specific audience.
“Being Frank” expands across the country this weekend and you can find more information about Cherry Picks at thecherrypicks.com
Film Rating: 3/4 Stars