*Capsule Review*

Behind every great man is a great woman…or does that actually meant that the woman is being taken for granted? That’s the question in this film as we see Claire’s (Lena Olin) response to her commitment and love of her husband after his diagnosis of Alzheimer’s disease.

Richard (Dern), a brilliant abstract artist, is struggling to create his final exhibition. Keenly aware of his initial cognitive decline, he lashes out at anyone who reminds him of his difficulties resulting in dire consequences. His relationships in work and home suffer, but ever the care-taker, Claire steps in to smooth over the bumps in the road.
Attempting to help mend Richard’s relationship with his daughter, Claire struggles but never succumbs, however within her, she yearns to find her own voice. She once had dreams, long forgotten, but within her the spark of her former self surfaces. It’s a battle between her loyalty and independence and the intrinsic need to be the caretaker.

Bruce Dern convincingly plays Richard, a crotchety old man who’s in the beginning stages of dementia. He delivers his cutting dialogue with a razor sharp edge. It’s a figurative bloodletting in one memorable and incredibly hurtful scene between Richard and his daughter, Angela (Juliet Rylance) that makes an indelible impression. But this is Claire’s story. We see what’s happening to Richard through her eyes. And the sacrifices she willingly made through the years to help her husband succeed are now more evident than ever. Olin’s evocative and layered performance is captivatingly painful and beautiful at the same time as she brings to the surface the conflict married women have dealt with for decades. Hopefully, in today’s generation, this concept will be a thing of the past.

“The Artist’s Wife” is a complicated story that weaves together issues of father-daughter relationships, the role of a step-mother, and the need to be wanted as Claire’s artistic talents are reawakened. While it’s premise is similar to “the Wife” starring Glenn Close, the emotional depth and character development which pulls you into the story makes each scene more urgent and engaging than its predecessor. And the ending is superb!

Now streaming from The Siskel Film Center: HERE

4 Stars

The following is an excerpt from FF2 Media:

Laure de Clermont-Tonnerre creates “The Mustang,” a revelatory film about a hopeless, isolated incarcerated man (Mattias Shoenaerts) who enters into a horse training rehabilitation program. Gorgeously shot, this evocative and soulful film delves into our penal system as it draws parallel lines between all creatures. Premiering at Sundance Film Festival, “The Mustang” is now playing in theaters. I had the opportunity to talk with Clermont-Tonnerre about the making of this film, working with Mattias Shoenaerts and Bruce Dern, and her hopes for the impact of this film.
To read the interview in its entirety as published in FF2 Media, March 21, 2019, go to FF2 Media

4/4 Stars